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I hadn't seen anyone do an 'exposing both sides' (EBS) panorama album on here yet, so I figured I'd try it with a Horizon Perfekt. It was definitely one of the most technically challenging albums I've done so far - not only because EBS is itself tricky (you've got to get the homemade redscale prepared correctly, get both the redscale and normal exposures right, shoot twice in the same sequence so as not to screw up the symmetry, etc.), but because the Perfekt poses challenges of its own, such as not being able to use a conventional splitzer (I solved this by cutting a piece of black card to shape and gluing it onto the tiny UV filter that comes with the camera), not having any horizon line to line things up with in the viewfinder (solved by drawing a black line through the middle of a length of sellotape and sticking it onto the front of the viewfinder) and having its very own peculiar loading technique that makes it very difficult to re-align the film in the same place for the second shoot (I thought I'd solved this by taping a separate 15cm length of old negative to the take-up spool and taping the film I shot to this, lining it up with appropriate markings, but I still got it wrong by about half a centimetre, which is why you see some overlap in these shots). I shot the redscale layer just after sunrise, went home, flipped the film around (I think I'll get a changing bag for next time, so I can just flip the film on site), then went back and shot the normal layer just after noon, on a sunny but intermittently cloudy day. So yes, pretty challenging, but also very creatively satisfying. Worth the hassle...? Hell, yeah...!!! :-)
I wanted to see what happens when I put a 35mm film into a medium format camera. Of course, to my Zeiss Ikon Nettar 517/16. This is my second attempt, this time the effects are better! Scan with film perforation for better effect. Definitely horizontal shots are better than vertical!
Another roll of infra-red film that I needed to use up before the leaves all fell off the trees. We have been having a lovely, warm autumn here in Minnesota, and I'm glad I got around to using my InfraChrome. Pictures were all taken with a Kodak Wratten #15 Yellow filter in my Ultra Wide and Slim. My friend A. was wearing dark green and fuscia lipstick, I was wearing head to toe black and blue lipstick. I was seriously surprised to see what black looks like with this film!
This is my first time ever developing at home!
I used this roll because I discovered towards the end of it that I had a 6x6 mask in it but I was shooting as though I had a 6x4 mask in it. So I felt really stupid and thought the whole roll was a throwaway. So this became my test roll.
So yeah...it's kind of interesting anyway though
Shanghai GP3 120 Film
Illford Ifosol 3 Dev for 10 minutes.
Double exposure -"ume" (Japanese plum) flowers with sideshot of model. Colors of pinky flowers and skin turned blue, and blue sky turned orange by using LomoChrome Turquoise.
Shot this from inside my car on rainy day. Appeared red maple leaves on silhouetted part. Rainy day is not bad.
Canon EOS7(rain view)/Lomo LC-A+(red maple)
From filmswap project with my favorite photographer Kennichi. I shot fireworks in Gifu with LC-A+ first, then sent the film to him and he shot a portrait with his SLR camera at sunset beach in Chiba. His lomohome: http://www.lomography.com/homes/kennichi
From filmswap project with my favorite photographer Kennichi. I shot fireworks in Gifu with LC-A+ first, then sent the film to him and he shot a portrait with his SLR camera at sunset beach in Chiba. His lomohome: http://www.lomography.com/homes/kennichi
