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Because reconnecting with your own roots ain't really that bad, especially when that includes an average of 3 Aperol Spritz a day! https://andrejrusskovskij.com/homecoming-pt-iii/
Because reconnecting with your own roots ain't really that bad, especially when that includes an average of 3 Aperol Spritz a day! https://andrejrusskovskij.com/homecoming-pt-iii/
Because reconnecting with your own roots ain't really that bad, especially when that includes an average of 3 Aperol Spritz a day! https://andrejrusskovskij.com/homecoming-pt-iii/
Black and white highlights of the 23rd annual Coasters Car Club Show 'n' Shine in Sechelt, also known as the Festival of the Rolling Arts. The day was overcast, but my Holga 400 film came through. Stand developed in Blazinal 1+100 for 75 minutes.
Black and white highlights of the 23rd annual Coasters Car Club Show 'n' Shine in Sechelt, also known as the Festival of the Rolling Arts. The day was overcast, but my Holga 400 film came through. Stand developed in Blazinal 1+100 for 75 minutes.
Black and white highlights of the 23rd annual Coasters Car Club Show 'n' Shine in Sechelt, also known as the Festival of the Rolling Arts. The day was overcast, but my Holga 400 film came through. Stand developed in Blazinal 1+100 for 75 minutes.
Black and white highlights of the 23rd annual Coasters Car Club Show 'n' Shine in Sechelt, also known as the Festival of the Rolling Arts. The day was overcast, but my Holga 400 film came through. Stand developed in Blazinal 1+100 for 75 minutes.
Black and white highlights of the 23rd annual Coasters Car Club Show 'n' Shine in Sechelt, also known as the Festival of the Rolling Arts. The day was overcast, but my Holga 400 film came through. Stand developed in Blazinal 1+100 for 75 minutes.
This project started some time ago, when I loaded a roll of Fuji Velvia 50 into the Sprocket Rocket and realized that I did not have enough light to shoot on the hike, so I shot it anyway and vowed to double it. Next was a trip into Vancouver, also not so bright, so I dutifully shot the roll and rewound it again. I later took it to the marina in Gibsons Landing for a third go. Triples over four months in three different locations. Cross processed in Tetenal Colortec C-41.
This project started some time ago, when I loaded a roll of Fuji Velvia 50 into the Sprocket Rocket and realized that I did not have enough light to shoot on the hike, so I shot it anyway and vowed to double it. Next was a trip into Vancouver, also not so bright, so I dutifully shot the roll and rewound it again. I later took it to the marina in Gibsons Landing for a third go. Triples over four months in three different locations. Cross processed in Tetenal Colortec C-41.
A sunny Saturday afternoon in Davis Bay taking in the beach and sandcastle competition. It was a great chance to get the Brownie Hawkeye out. Fujicolor NPC 160, expired in 2002, home processed in Tetenal Colortec C-41.
I have never had much luck with Rollei Nightbird. I realize the Sprocket Rocket is a light pig, but this day was bright enough for a 400 iso film so I felt I could get away with the Nightbird. I was so wrong. Rollei Nightbird, expired in 2016, home processed in Arista C-41.
These are the remaining photos of the role of the thematic walk "Himmel über Berlin".
These were created on the farmer's market the following weekend.
Fomapan 100, home process in Adox Atomal 49 stock for 8 minutes
Film from March 2017. Usual subjects - bats, buildings, flowers & urban landscapes. Old heavy Hanimex lens, which gave heavy vignetting and strong vertical distortion, which annoyed me at first but which now I find curiously attractive and quirky. Really pleased with the Lomo 100 Earl Grey film as well. #B&W #Brisbane #K1000 #EarlGrey #urban
