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I filled my hand luggage with two heavy, all metal mechanical cameras with a combined age of over 80 and as much black and white film as the bag could take. I hauled it from Scotland to #India, then from the south to the north.
I like collecting and using old cameras and lenses. I love the sense that someone before me has looked through the viewfinder and seen the world in their own way. There is something, maybe to do with their age or the precise mechanics that gives them a personality. They almost become my friends. I love the process of analogue photography and the time it takes to develop the film and produce an image... It is not instant.
So often in the streets of India I would take someone’s picture and straight away they would ask me to turn the camera around to see their photo on a digital screen. I disappointed so many children when all they saw was the leather and chrome back of my #Minolta. They couldn’t quite understand why the image was not instant.
I filled my hand luggage with two heavy, all metal mechanical cameras with a combined age of over 80 and as much black and white film as the bag could take. I hauled it from Scotland to #India, then from the south to the north.
I like collecting and using old cameras and lenses. I love the sense that someone before me has looked through the viewfinder and seen the world in their own way. There is something, maybe to do with their age or the precise mechanics that gives them a personality. They almost become my friends. I love the process of analogue photography and the time it takes to develop the film and produce an image... It is not instant.
So often in the streets of India I would take someone’s picture and straight away they would ask me to turn the camera around to see their photo on a digital screen. I disappointed so many children when all they saw was the leather and chrome back of my #Minolta. They couldn’t quite understand why the image was not instant.
I filled my hand luggage with two heavy, all metal mechanical cameras with a combined age of over 80 and as much black and white film as the bag could take. I hauled it from Scotland to #India, then from the south to the north.
I like collecting and using old cameras and lenses. I love the sense that someone before me has looked through the viewfinder and seen the world in their own way. There is something, maybe to do with their age or the precise mechanics that gives them a personality. They almost become my friends. I love the process of analogue photography and the time it takes to develop the film and produce an image... It is not instant.
So often in the streets of India I would take someone’s picture and straight away they would ask me to turn the camera around to see their photo on a digital screen. I disappointed so many children when all they saw was the leather and chrome back of my #Minolta. They couldn’t quite understand why the image was not instant.
I filled my hand luggage with two heavy, all metal mechanical cameras with a combined age of over 80 and as much black and white film as the bag could take. I hauled it from Scotland to #India, then from the south to the north.
I like collecting and using old cameras and lenses. I love the sense that someone before me has looked through the viewfinder and seen the world in their own way. There is something, maybe to do with their age or the precise mechanics that gives them a personality. They almost become my friends. I love the process of analogue photography and the time it takes to develop the film and produce an image... It is not instant.
So often in the streets of India I would take someone’s picture and straight away they would ask me to turn the camera around to see their photo on a digital screen. I disappointed so many children when all they saw was the leather and chrome back of my #Minolta. They couldn’t quite understand why the image was not instant.
I filled my hand luggage with two heavy, all metal mechanical cameras with a combined age of over 80 and as much black and white film as the bag could take. I hauled it from Scotland to #India, then from the south to the north.
I like collecting and using old cameras and lenses. I love the sense that someone before me has looked through the viewfinder and seen the world in their own way. There is something, maybe to do with their age or the precise mechanics that gives them a personality. They almost become my friends. I love the process of analogue photography and the time it takes to develop the film and produce an image... It is not instant.
So often in the streets of India I would take someone’s picture and straight away they would ask me to turn the camera around to see their photo on a digital screen. I disappointed so many children when all they saw was the leather and chrome back of my #Minolta. They couldn’t quite understand why the image was not instant.
From our Southengland tour 2018 - Spending time near Salisbury traveling on to Lyme Regis. The Velvia was developed in E6 chemistry (not crossed) - Camera Leica C2
From our Southengland tour 2018 - Spending time near Salisbury traveling on to Lyme Regis. The Velvia was developed in E6 chemistry (not crossed) - Camera Leica C2
From our Southengland tour 2018 - Spending time near Salisbury traveling on to Lyme Regis. The Velvia was developed in E6 chemistry (not crossed) - Camera Leica C2
From our Southengland tour 2018 - Spending time near Salisbury traveling on to Lyme Regis. The Velvia was developed in E6 chemistry (not crossed) - Camera Leica C2
London-based live music photographer Jeremy Strange decided to take a break from the madness of music photography and took the Horizon Perfekt along with him on a journey to London, Norfolk and Edinburgh and even managed a ride on the London Eye.
A nice windy Sunday, some expired Kodak Vision3 250D and my Sprocket Rocket as we walked the River. The film's slowed a bit so even on cloudy, the dark stuff was way dark. But the shots are not bad for expired film that was cross processd.
