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Shot in a racetrack in Tarlac. We played songs from Bikini Kill to Blood Orange. The day was hot and we only had a room with a broken a/c and the reflector turned into a pamaypay. This was an interesting day because Bianca, 18, was in-between cities: somewhere in Europe, Dubai, her home in the Philippines, then Indianna, hopefully, for college. Months later, she would bag two wins in the F1 and join team McLaren.
Shot in a racetrack in Tarlac. We played songs from Bikini Kill to Blood Orange. The day was hot and we only had a room with a broken a/c and the reflector turned into a pamaypay. This was an interesting day because Bianca, 18, was in-between cities: somewhere in Europe, Dubai, her home in the Philippines, then Indianna, hopefully, for college. Months later, she would bag two wins in the F1 and join team McLaren.
Shot in a racetrack in Tarlac. We played songs from Bikini Kill to Blood Orange. The day was hot and we only had a room with a broken a/c and the reflector turned into a pamaypay. This was an interesting day because Bianca, 18, was in-between cities: somewhere in Europe, Dubai, her home in the Philippines, then Indianna, hopefully, for college. Months later, she would bag two wins in the F1 and join team McLaren.
Shot in a racetrack in Tarlac. We played songs from Bikini Kill to Blood Orange. The day was hot and we only had a room with a broken a/c and the reflector turned into a pamaypay. This was an interesting day because Bianca, 18, was in-between cities: somewhere in Europe, Dubai, her home in the Philippines, then Indianna, hopefully, for college. Months later, she would bag two wins in the F1 and join team McLaren.
I went back to Kalinga to accompany Sofia (our Vogue intern, turned contributor, who quickly became one of my good friends) who pitched to do an in-depth story on how the youth and the women of Kalinga are taking on the batok traditional tattoo. I had a travel story to finish anyway (about Kalinga) so I figured it would be helpful to come back and do some interviews, more relaxed (because I wasn't assisting production this time). My favorite part was seeing how the designs evolved. Kalinga youths taking the batok technique and using that for designs of their own: a press, pause and play button of an iPod on her wrist, a rose on the calf, etc. We talked about weed and Filipino hip-hop. For the rest of the night, we retired to our cots. Baked and laughing, but careful not to touch each other's fresh tattoos. Just kids being kids with other kids.
I went back to Kalinga to accompany Sofia (our Vogue intern, turned contributor, who quickly became one of my good friends) who pitched to do an in-depth story on how the youth and the women of Kalinga are taking on the batok traditional tattoo. I had a travel story to finish anyway (about Kalinga) so I figured it would be helpful to come back and do some interviews, more relaxed (because I wasn't assisting production this time). My favorite part was seeing how the designs evolved. Kalinga youths taking the batok technique and using that for designs of their own: a press, pause and play button of an iPod on her wrist, a rose on the calf, etc. We talked about weed and Filipino hip-hop. For the rest of the night, we retired to our cots. Baked and laughing, but careful not to touch each other's fresh tattoos. Just kids being kids with other kids.
I went back to Kalinga to accompany Sofia (our Vogue intern, turned contributor, who quickly became one of my good friends) who pitched to do an in-depth story on how the youth and the women of Kalinga are taking on the batok traditional tattoo. I had a travel story to finish anyway (about Kalinga) so I figured it would be helpful to come back and do some interviews, more relaxed (because I wasn't assisting production this time). My favorite part was seeing how the designs evolved. Kalinga youths taking the batok technique and using that for designs of their own: a press, pause and play button of an iPod on her wrist, a rose on the calf, etc. We talked about weed and Filipino hip-hop. For the rest of the night, we retired to our cots. Baked and laughing, but careful not to touch each other's fresh tattoos. Just kids being kids with other kids.
I went back to Kalinga to accompany Sofia (our Vogue intern, turned contributor, who quickly became one of my good friends) who pitched to do an in-depth story on how the youth and the women of Kalinga are taking on the batok traditional tattoo. I had a travel story to finish anyway (about Kalinga) so I figured it would be helpful to come back and do some interviews, more relaxed (because I wasn't assisting production this time). My favorite part was seeing how the designs evolved. Kalinga youths taking the batok technique and using that for designs of their own: a press, pause and play button of an iPod on her wrist, a rose on the calf, etc. We talked about weed and Filipino hip-hop. For the rest of the night, we retired to our cots. Baked and laughing, but careful not to touch each other's fresh tattoos. Just kids being kids with other kids.
I went back to Kalinga to accompany Sofia (our Vogue intern, turned contributor, who quickly became one of my good friends) who pitched to do an in-depth story on how the youth and the women of Kalinga are taking on the batok traditional tattoo. I had a travel story to finish anyway (about Kalinga) so I figured it would be helpful to come back and do some interviews, more relaxed (because I wasn't assisting production this time). My favorite part was seeing how the designs evolved. Kalinga youths taking the batok technique and using that for designs of their own: a press, pause and play button of an iPod on her wrist, a rose on the calf, etc. We talked about weed and Filipino hip-hop. For the rest of the night, we retired to our cots. Baked and laughing, but careful not to touch each other's fresh tattoos. Just kids being kids with other kids.
Filipino film enthusiast Joshua Ababa recently took our Lomography ISO 800 Color Negative 35 mm Film on a trip to Hong Kong. Let's see the mesmerizing shots he captured throughout night and day in the city.
