Likes
-
algunassss multiple exposicion :)
2012-06-28 tere がシェア_se imaginaran lo emocionadisima x probar mi nueva LC-A+ la saque de la caja en un segundo y nunca mas se movio de mi cartera :)
9 256 -
#11735368
2010-08-26 vicuna がシェア 51 508 -
#11692174
2010-08-16 vicuna がシェア 30 701 -
#16090604
2012-05-18 kiri-girl がシェア 9 596 -
#12302815
2010-12-19 hhjm がシェアMr. Rithirong and Mrs. Kanokwan Chanthongsuk Fashion is the recycle idea.
55 1,000 -
#6129840
2009-10-21 anarchy がシェア 16 326 -
#11306131
2010-05-08 a_lion がシェア 9 175 -
#6110464
2009-10-13 ropasucia がシェア 5 -
american dreams
2009-10-13 alaskawilde がシェア 38 683 -
Aztec sun
2010-11-16 mihauandpaolo がシェア 6 146 -
#4408691
2009-07-17 rockashroom がシェア 19 179 -
#17440681
2012-11-19 rolandolemuria がシェア 16 233 -
#12240621
2010-12-07 h_hache がシェア 15 289 -
#258950
2009-03-18 daredeye がシェア 10 254 -
EBS at Waverley Abbey #7
2013-01-27 buckshot がシェアI hadn't seen anyone do an 'exposing both sides' (EBS) panorama album on here yet, so I figured I'd try it with a Horizon Perfekt. It was definitely one of the most technically challenging albums I've done so far - not only because EBS is itself tricky (you've got to get the homemade redscale prepared correctly, get both the redscale and normal exposures right, shoot twice in the same sequence so as not to screw up the symmetry, etc.), but because the Perfekt poses challenges of its own, such as not being able to use a conventional splitzer (I solved this by cutting a piece of black card to shape and gluing it onto the tiny UV filter that comes with the camera), not having any horizon line to line things up with in the viewfinder (solved by drawing a black line through the middle of a length of sellotape and sticking it onto the front of the viewfinder) and having its very own peculiar loading technique that makes it very difficult to re-align the film in the same place for the second shoot (I thought I'd solved this by taping a separate 15cm length of old negative to the take-up spool and taping the film I shot to this, lining it up with appropriate markings, but I still got it wrong by about half a centimetre, which is why you see some overlap in these shots). I shot the redscale layer just after sunrise, went home, flipped the film around (I think I'll get a changing bag for next time, so I can just flip the film on site), then went back and shot the normal layer just after noon, on a sunny but intermittently cloudy day. So yes, pretty challenging, but also very creatively satisfying. Worth the hassle...? Hell, yeah...!!! :-)
71 -
#17819066
2013-01-29 penelopedavies がシェア 4 -
#17819198
2013-01-29 penelopedavies がシェア 2 -
#17819209
2013-01-29 penelopedavies がシェア 6 -
#17288956
2012-10-24 satomi がシェアSome were color scanned and some were scanned as black and white.
6 322 -
#11398699
2010-06-02 warning がシェア 107 1,538 -
Autumn is here!
2011-11-22 fruchtzwerg_hh がシェア 39 741 -
#15935409
2012-04-28 derekfm がシェア 3 267 -
#13373260
2011-05-22 derekfm がシェア 1 116