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https://www.youtube.com/watch?v=1rSF3d2-jQA --- https://www.youtube.com/watch?v=0nJ_jD2fRKk --- https://www.youtube.com/watch?v=JIO8dUSN5FM "You're officially married, and now you can kiss your bride" the mc said. My cousins from paternal side, Ryan F pratama and his wife, Lita Agustina Rakhmah wedding at Gedung Keuangan Negara, jalan (street/road) Asia-Afrika, Bandung.
...third year in architecture school and it is "history tripping" to the full.....at the archaeological dig at pavagadh, gujarat.
The class were in their elements and it was a day well spent...with just a little little bit of a history lesson..!!!!
Inspired through the great lightpainting shots of @ck_berlin I thought I might give it another try. I used our basement and was hoping that no one of the neighbours would come down there and ruin the shots. I used sparklers, Fritz the Blitz, a flash light and an ipad app called "MyLightPaint".
I took these photos in 2012 and totally forgot about the camera. Not too happy about the results. What's the reason for the strange colouring? The film expired last year, could this be the reason?
I hadn't seen anyone do an 'exposing both sides' (EBS) panorama album on here yet, so I figured I'd try it with a Horizon Perfekt. It was definitely one of the most technically challenging albums I've done so far - not only because EBS is itself tricky (you've got to get the homemade redscale prepared correctly, get both the redscale and normal exposures right, shoot twice in the same sequence so as not to screw up the symmetry, etc.), but because the Perfekt poses challenges of its own, such as not being able to use a conventional splitzer (I solved this by cutting a piece of black card to shape and gluing it onto the tiny UV filter that comes with the camera), not having any horizon line to line things up with in the viewfinder (solved by drawing a black line through the middle of a length of sellotape and sticking it onto the front of the viewfinder) and having its very own peculiar loading technique that makes it very difficult to re-align the film in the same place for the second shoot (I thought I'd solved this by taping a separate 15cm length of old negative to the take-up spool and taping the film I shot to this, lining it up with appropriate markings, but I still got it wrong by about half a centimetre, which is why you see some overlap in these shots). I shot the redscale layer just after sunrise, went home, flipped the film around (I think I'll get a changing bag for next time, so I can just flip the film on site), then went back and shot the normal layer just after noon, on a sunny but intermittently cloudy day. So yes, pretty challenging, but also very creatively satisfying. Worth the hassle...? Hell, yeah...!!! :-)
I took these photos in 2012 and totally forgot about the camera. Not too happy about the results. What's the reason for the strange colouring? The film expired last year, could this be the reason?
1. I LOVE Lomography Xpro 200 colors!
2. Close up filters and Petzval are a good combo!
3. Need to use a finer grain film with Petzval lens.
4. Not as stable as I thought, next time take a tripod for macro shooting!
I remember the chair because i went there to get it to take shots with the chair in the water with a sailing boat in the back.
it's an ambivalent thing with old shots but just because i was looking for some shots for an article i wrote about my 17 years of lomography (http://www.lomography.com/magazine/lifestyle/2013/12/23/lomographic-milestones-it-all-started-17-years-ago) i found some that look pretty nice i think or are somehow not too bad ;) here are some shots from corse.
One of my first albums using the Super Ikonta 532/16 with Carl Zeiss Jena 2.8. Very interesting folding camera indeed...I bought it after my friend Thomas saw it in ebay. He insisted that this is a very good camera...it was relatively cheap too...great piece of history as well...German engineering pre/post war.
Mmmmmmmmmmmmmmmm......
Oggi vi faccio vedere i risultati del TEST Perutz 100 Chrome sviluppata in C41.
STORIA IN BREVE
Otto Perutz (nato 1847 a Teplice, morto 1922 a München) è stato un chimico che aveva finito i suoi studi a Zurigo con una tesi di laurea su un argomento foto-chimica e divenne direttore di una fabbrica di prodotti chimici. Nel 1880 ha fondato la propria impresa, una fabbrica per fare lastre fotosensibili. Questo è diventato il Perutz-Photowerke. La società è stata acquistata nel 1964 dalla concorrente Agfa. Poi il marchio Perutz che era diventata famosa per film a colori diapositiva è stata mantenuta in vita per un po '.
TEST
Bè....c'è poco da dire.
Con una pellicola scaduta da 15 anni non si sa mai quello che può uscire fuori.
Da questa prova con sviluppo in C41, si può dire che bisogna sottoesporre almeno di 3 stop perchè sembra che con l'invecchiamento, la nostra Perutz, sia molto più sensibile del normale.
NB - Il test fa riferimento solo a questo lotto che ho comprato su internet e non su tutte le Perutz 100 Chrome del mondo. :)
Non si sa come e dove sono state conservate.
IN CONCLUSIONE
Mi piace molto l' effetto di questa pellicola scaduta, regala toni meravigliosi ed imprevedibili, inoltre assomiglia vagamente alla Lomography Purple XR 100-400.
Non credete!?!?!?!? :D
my brother lives there, so I go to visit him quite a bit.
I have photographed these Calatrava creations many times already, on many cameras and films. I still like it and always find smth new.
i recently took part in a film-swap with gocchin (http://www.lomography.com/homes/gocchin) ..all shots were completely random, and we were blighted by several with uncomplementary exposure - this mini-album shows those that just came out as singles.. and here are the albums with successful doubles.. http://www.lomography.com/homes/fotobes/albums/2011837-film-swap-mini-album-with-the-wonderful-gocchin-march-2014 and http://www.lomography.com/homes/gocchin/albums/2011843-first-film-swap-with-fotobes-from-uk
