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This is a tribute to Thomas Struth. In 1976, Struth took 49 photographs taken from a centralized perspective on Düsseldorf’s deserted streets, each of them obeying a strict logic of central symmetry. The compositions are simple and the photographs are neither staged nor digitally manipulated in post-production. Strong contrasts of light and shade are also avoided (Wikipedia). These images, also taken on deserted street in my city Como, are taken with a central simmetry also!
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