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I agree.
I don't know how many packs of Impossible's Silver Shade I've burnt through trying to master the new film's idiosyncrasies, but it's MANY.
After much frustration and disappointment however, I am finally beginning to get some interesting (or at least passable) results.
My first shot using this setup once I realised that the exposure wheel should sit around the middle somewhere. The tone is much cooler than the results I've been getting using the PX 100.
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