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This filmswap was done in 2016. Two people took shots in three cities. It turned out to be incredibly convenient to use two identical point-and-shoot cameras. We only needed to match one mark at the beginning of the roll, and the frames aligned perfectly.
This filmswap was done in 2016. Two people took shots in three cities. It turned out to be incredibly convenient to use two identical point-and-shoot cameras. We only needed to match one mark at the beginning of the roll, and the frames aligned perfectly.
This filmswap was done in 2016. Two people took shots in three cities. It turned out to be incredibly convenient to use two identical point-and-shoot cameras. We only needed to match one mark at the beginning of the roll, and the frames aligned perfectly.
This filmswap was done in 2016. Two people took shots in three cities. It turned out to be incredibly convenient to use two identical point-and-shoot cameras. We only needed to match one mark at the beginning of the roll, and the frames aligned perfectly.
This filmswap was done in 2016. Two people took shots in three cities. It turned out to be incredibly convenient to use two identical point-and-shoot cameras. We only needed to match one mark at the beginning of the roll, and the frames aligned perfectly.
This filmswap was done in 2016. Two people took shots in three cities. It turned out to be incredibly convenient to use two identical point-and-shoot cameras. We only needed to match one mark at the beginning of the roll, and the frames aligned perfectly.
This filmswap was done in 2016. Two people took shots in three cities. It turned out to be incredibly convenient to use two identical point-and-shoot cameras. We only needed to match one mark at the beginning of the roll, and the frames aligned perfectly.
This filmswap was done in 2016. Two people took shots in three cities. It turned out to be incredibly convenient to use two identical point-and-shoot cameras. We only needed to match one mark at the beginning of the roll, and the frames aligned perfectly.
This filmswap was done in 2016. Two people took shots in three cities. It turned out to be incredibly convenient to use two identical point-and-shoot cameras. We only needed to match one mark at the beginning of the roll, and the frames aligned perfectly.
This filmswap was done in 2016. Two people took shots in three cities. It turned out to be incredibly convenient to use two identical point-and-shoot cameras. We only needed to match one mark at the beginning of the roll, and the frames aligned perfectly.
The shot was taken at EI50. Here is the link to the same subject but at EI100 https://www.lomography.com/photos/27738594. The entire album was shot on fresh Eastman Kodak Vision3 250D film with the remjet pre-removed. Specifically, my film was purchased under the Lampa 400D brand. The results achieved will be valid for all similar films, which are also sold under brands like Cinestill, ReflxLab, and many others.
The photo was taken in the last week of August 2015. The rest of the details have faded over the past 10 years. I continue to restore my archive of lomography photos.
The photo was taken in the last week of August 2015. The rest of the details have faded over the past 10 years. I continue to restore my archive of lomography photos.
A day trip to a beach called 'Laskovy', which translates to 'Tender' in English. The beach is on the shore of the Gulf of Finland, near St. Petersburg.
A day trip to a beach called 'Laskovy', which translates to 'Tender' in English. The beach is on the shore of the Gulf of Finland, near St. Petersburg.
A day trip to a beach called 'Laskovy', which translates to 'Tender' in English. The beach is on the shore of the Gulf of Finland, near St. Petersburg.
A day trip to a beach called 'Laskovy', which translates to 'Tender' in English. The beach is on the shore of the Gulf of Finland, near St. Petersburg.
Second doubles with Mark Mazin. You can check out his Instagram here: https://instagram.com/markiethepirate.
Each layer was shot with an Mju II. It's amazingly easy to align frames perfectly; we only needed to match one mark at the beginning of the roll.
So, this was my first doubles not with myself😁, shot together with Mark Mazin. You can check out his Instagram here: https://instagram.com/markiethepirate.
Mark took the portrait layer, and I handled the objects and patterns. We didn't plan anything, which made seeing the result even more exciting.
The first layer was shot at the beginning of 2016, sometime between January and February. The final film processing happened in May 2016.
I've restored the last part of the photos from my trip to Crimea in 2016. Photos from different cameras were combined into one album based on the fact that they were shot on expired film.
I was lucky to find a couple of rolls from Ferrania and Agfa in great condition; they performed almost as well as fresh film.
I was inspired to take this shot after meeting Russian photographer Andrey Chezhin. He talked about his experience shooting liquid architecture with a Horizon camera.
Long story short, I'm already putting his advice into practice. You can find my shots from this series under the hashtag #liquidarchitecture.
I also recommend checking out Andrey's photos on his website: https://chegin.com/zidkaya-arxitektura-1997.
